Koncerti u dvorištu, Resavska, Beograd forever!

Revolucya je kada bi se svaki javni prostor koristio na ovakav način.
Mnogo hvala divnim momcima iz Muzičke škole "Josip Slavenski" - Milunu Šunjevariću i Veljku Brankovanu koji su pokidali nastup na kojem je ceo komšiluk neizmerno uživao!

Live performance no.8 - Only the best,better than all the rest

Sergei Vasilyevich Rachmaninoff - Symphony no.2 op.27, 3rd Movement

Radio Philharmonic Orchestra, Amsterdam, wonderfully conducted by Eivind Gullberg Jensen. Solo clarinettist: Arjan Woudenberg.

 
Symphony No. 2 in E minor, Op. 27 is a symphony by the Russian composer Sergei Rachmaninoff, written in 1906–07. The premiere was conducted by the composer himself in Saint Petersburg on 8 February 1908. Its duration is approximately 60 minutes when performed uncut; cut performances can be as short as 35 minutes. The score is dedicated to Sergei Taneyev, a Russian composer, teacher, theorist, author, and pupil of Pyotr Ilyich Tchaikovsky. Alongside his Piano Concerto No. 2 and Piano Concerto No. 3, this symphony remains one of the composer's best known compositions. From Wikipedia, the free encyclopedia

The Netherlands Radio Philharmonic Orchestra was founded by Albert van Raalte in 1945.The orchestra’s discography is impressive and includes the complete Mahler Symphonies and orchestral works by Rachmaninoff under the direction of Edo de Waart. Ongoing recording projects include a Bruckner-cycle under the direction of Jaap van Zweden (Exton label) and the complete Shostakovich symphonies led by the British conductor Mark Wigglesworth (Bis label). Wagner’s Lohengrin, Die Meistersinger von Nürnberg and Parsifal, performed by the Netherlands Radio Philharmonic Orchestra, the Netherlands Radio Choir and vocal soloists under the direction of Jaap van Zweden, were recorded for QuattroLive and Challenge Records and met with great critical acclaim. QuattroLive is the cd label of Radio 4, the Netherlands Broadcasting Music Center, Radio Netherlands Worldwide and the broadcasters NTR, AVRO and TROS. Orchestra.

Live performance no.7 - Only the best,better than all the rest

Erik Satie - Gnossienne 7, Branka Parlić

The Gnossiennes (French pronunciation: ​[ɡnosjεn]) are several piano compositions written by the French composer Erik Satie in the late 19th century. The works are for the most part in free time (lacking time signatures or bar divisions) and highly experimental with form, rhythm and chordal structure. The form as well as the term was invented by Satie. From Wikipedia, the free encyclopedia

As one of the leading pianists dedicated to New Music, Branka Parlić is performing the music of minimalist and postminimalist composers from the second half of the 20th century, and the first decade of the 21st century.
Branka Parlić regularly performs around Europe on solo recitals and various music and film festivals, but also holding lectures about the development of New Music, starting from Erik Satie, John Cage and finishing with contemporary composers, but also on the music of Philip Glass.Biography.

Live performance no.5 - Only the best,better than all the rest

 Franz Schubert - String Quintet in C major, (D.956, Op.posth.163)

Franz Schubert's final chamber work, the String Quintet in C major (D. 956, Op. posth. 163) is sometimes called the "Cello Quintet" because it is scored for a standard string quartet plus an extra cello instead of the extra viola which is more usual in conventional string quintets. It was composed in 1828 and completed just two months before the composer's death. The first public performance of the piece did not occur until 1850, and publication occurred three years later in 1853. Schubert's only full-fledged string quintet, it has been praised as "sublime" and as possessing "bottomless pathos," and is generally regarded as Schubert's finest chamber work as well as one of the greatest compositions in all chamber music.From Wikipedia, the free encyclopedia

"Recognized as one of the world’s great ensembles, the Takács Quartet plays with a unique blend of drama, warmth and humour, combining four distinct musical personalities to bring fresh insights to the string quartet repertoire. Commenting on their Hyperion Schubert recording, Gramophone magazine noted: ‘The Takács have the ability to make you believe that there’s no other possible way the music should go, and the strength to overturn preconceptions that comes only with the greatest performers." https://www.hyperion-records.co.uk/a.asp?a=A1355

Live performance no.4 - Only the best,better than all the rest

Jacqueline du Pré - Bach, Suites for Solo Cello No. 1 & 2
Recorded in 1962 (when she was 17)

Jacqueline Mary du Pré, (26 January 1945 – 19 October 1987) was a British cellist. At a young age, she achieved enduring mainstream popularity – unusual for a classical artist. Despite her short career,she is regarded as one of the greatest cellists of all time.
Her career was cut short by multiple sclerosis, which forced her to stop performing at the age of 28. She battled the illness for many years until her death at the age of 42.

"How wonderful!!!!! Omg!!! This brings tears to my eyes! Jackie was my girlhood friend. We met in Toronto, when she was 22 and I was 17. :) My cello teacher arranged for me to meet her at her hotel. I remember that day as though it were yesterday! She was exhausted and had slept in and had asked not to be disturbed. When she awoke she remembered we were to meet that day and she called me at my parents' house and apologized and asked if I could still come. Of course I was thrilled and had taken the day off school. "Of course I can!" I said to her and off I went. She greeted me by jumping out from behind the partially opened door and shouted "Boo!!!" and we both laughed! A fun way to start our friendship! If this is her Davidov Stradivarius that she is playing on for this recording, she let me play on it the day we met. I recall not feeling worthy and declined her invitation by saying "Oh that's ok" and smiled. She said "You cannot say no to trying the Davidov Stradivarius!" And so I took the cello and played for her. What a privilege!!! She then ordered up some biscuits and hot chocolate and we sat and shared stories and laughed together, all afternoon. As busy as she was, flying all over the world performing, we still wrote to each other, on and off, for years, until she was too ill to write me back. I treasure her letters and when I am feeling down, or when I just miss her terribly, I reread them and there she is in front of me again, smiling and looking at me so lovingly. At her request, I turned pages for her husband Daniel Barenboim at their recital here in London, Ontario. I had a dream many years before she got ill, that she would get ill and not be able to play anymore. I wrote to her of my dream. I think deep down she knew. We shared this psychic thing. I think that is why the universe brought us together. When I wrote to her of one of my love experiences, she told me in one of her letters, what she does when she is going through painful times. "One of my favorite things, is to go into a room all by myself and play Bach keeping on until I am utterly wrapped up in the music, the thrill of drawing the bow over the strings and the feeling that I am fit to burst with the beauty of it all." She said "If one truly loves music, it can be ones's most faithful and fruitful companions!" Her letters are filled with love and concern and joy. We were kindred spirits. Even though I knew what her fate would be many years before Multiple Sclerosis was diagnosed, I was still devastated by the news of her passing. I was driving and just happened to be listening to her Elgar on the car radio, on my way to teaching an early morning cello lesson. I had to pull the car over, as i was blinded by tears and could not see where I was going. I will never forget that terrible day! Jackie's Bach brings such joy to my heart"

Christine Newland 

 

Live performance no.3 - Only the best,better than all the rest

Lubomyr Melnyk - Butterfly (Live in Copenhagen)

Melnyk is noted for his continuous music, a piano technique based on extremely rapid notes and complex note-series, usually with the sustain pedal held down to generate harmonic overtones and sympathetic resonances.

"The society has gone to sleep and it's not in touch with what we see and what we live and what we do..."

Live performance no.2 - Only the best,better than all the rest

Tunde Jegede  - Kora Solo 1 ("Alla La Ke"; "By the Will")

The kora is a 21-string lute-bridge-harp used extensively in West Africa.

一代笛子宗师 - 陆春龄与丝弦五重奏音乐会（完整版）